Barbara H. Berrie
Barbara H. Berrie is senior conservation scientist at the National Gallery of Art, Washington, D.C.
Berrie, Barbara H.
Berrie, Barbara H.
Berrie@test.com
United States of America
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Edgar Degas’s Wax Sculptures: Characterization and Comparison with Contemporary Practice
Suzanne Quillen Lomax and Barbara H. Berrie and Michael Palmer
Description: Facture: Conservation Science Art History Volume 3: Degas
Facture: Conservation Science Art History Volume 3: Degas
Edgar Degas (1834–1917) expressed his artistic creativity in many media, as is well exemplified by articles in this volume...
Author
Suzanne Quillen Lomax and Barbara H. Berrie and Michael Palmer
PublisherNational Gallery of Art
Copyright© 2017 Board of Trustees, National Gallery of Art, Washington
Related print edition pages: pp.50-77
https://doi.org/10.37862/aaeportal.00206.003
Stable URL: https://aaeportal.com/?id=-20199
Chapter subject tags:Sculpture, French--19th centuryImpressionism (Art)--FranceDegas, Edgar, 1834-1917Sculpture--Conservation and restoration--France--19th centurySculpture--Technique--France--19th century
Sfumato and Sheen: Bernardino Luini’s Lady in Black
Michael Swicklik and Barbara H. Berrie and Gretchen Hirschauer
Description: Facture: Conservation Science Art History Volume 2: Art in Context
Facture: Conservation Science Art History Volume 2: Art in Context
Bernardino Luini (c. 1480 – 1532) arrived in Milan around 1500, where he came into the orbit of Leonardo da Vinci (1452 – 1519)...
Author
Michael Swicklik and Barbara H. Berrie and Gretchen Hirschauer
PublisherNational Gallery of Art
Copyright© 2015 Board of Trustees, National Gallery of Art
Related print edition pages: pp.140-157
https://doi.org/10.37862/aaeportal.00201.006
Stable URL: https://aaeportal.com/?id=-20070
Chapter subject tags:Portrait painting, RenaissancePainting--Conservation and restorationWomen--PortraitsPainting--Technique
The Creation of Giotto’s Madonna and Child: New Insights
Joanna R. Dunn and Barbara H. Berrie and John K. Delaney
Description: Facture: Conservation Science Art History Volume 2: Art in Context
Facture: Conservation Science Art History Volume 2: Art in Context
The great Florentine artist and architect, Giotto di Bondone (probably 1266 – 1337) had an important influence on Italian art in the late thirteenth century...
Author
Joanna R. Dunn and Barbara H. Berrie and John K. Delaney
PublisherNational Gallery of Art
Copyright© 2015 Board of Trustees, National Gallery of Art
Related print edition pages: pp.2-17
https://doi.org/10.37862/aaeportal.00201.001
Stable URL: https://aaeportal.com/?id=-20064
Chapter subject tags:Painting--Conservation and restorationPainting--TechniquePanel painting, ItalianAltarpieces, ItalianPigments--Preservation
A Page from Giorgio Vasari’s Libro de’ Disegni as Composite Object
Kimberly Schenck and Barbara H. Berrie and John K. Delaney
Description: Facture: Conservation Science Art History Volume 1: Renaissance Masterworks
Facture: Conservation Science Art History Volume 1: Renaissance Masterworks
Giorgio Vasari (1511–1574), architect, painter, and connoisseur, is best known for his august work, Le vite de’ più eccellenti pittori, scultori e architettori (Lives of the most eminent painters, sculptors and architects), chronicling the development of Italian art in the Renaissance ...
Author
Kimberly Schenck and Barbara H. Berrie and John K. Delaney
PublisherNational Gallery of Art
Copyright© 2013 Board of Trustees, National Gallery of Art, Washington
Related print edition pages: pp.2-31
https://doi.org/10.37862/aaeportal.00196.001
Stable URL: https://aaeportal.com/?id=-19975
Chapter subject tags:Conservation and restorationVasari, Giorgio, 1511-1574Drawing, Renaissance--ItalyLippi, Filippo, approximately 1406-1469Botticelli, Sandro, 1444 or 1445-1510