Eleanor Jones Harvey
Eleanor Jones Harvey is senior curator at the Smithsonian American Art Museum.
Harvey, Eleanor Jones
Harvey, Eleanor Jones
United States of America
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Description: The Voyage of the Icebergs: Frederic Church’s Arctic Masterpiece
During the final quarter of the nineteenth century, the Hudson River School of painting fell out of favor, replaced by a new generation of popular artists and styles...
PublisherDallas Museum of Art
Related print edition pages: pp.71-86
https://doi.org/10.37862/aaeportal.00204.004
Description: The Voyage of the Icebergs: Frederic Church’s Arctic Masterpiece
In May 1862 Frederic Edwin Church had a problem. His latest “Great Picture,” a six-by-nine-foot canvas called The North—now known as The Icebergs—had failed to find a buyer, after being shown first in New York and then in Boston. As he had done with great success before,...
PublisherDallas Museum of Art
Related print edition pages: pp.45-69
https://doi.org/10.37862/aaeportal.00204.003
Description: The Voyage of the Icebergs: Frederic Church’s Arctic Masterpiece
https://doi.org/10.37862/aaeportal.00204
Twelve days after the onset of the American Civil War in April of 1861, Frederic Edwin Church, the most successful American landscape painter of his day, debuted his latest “Great Picture”—a painting titled The North. Despite favorable reviews, the painting failed to find a buyer. Faced with this unexpected setback, Church added a broken mast to the foreground and changed the work’s title to The Icebergs. He then shipped the painting to London, where it was finally sold to an English railroad magnate and subsequently disappeared from view for 116 years.

This book tells the fascinating story of The Icebergs and provides a detailed look at the cycle of fame, neglect, and resuscitation of both this masterwork and Church’s career. In 1979, The Icebergs sold at auction for $2.5 million, at the time the highest amount ever paid for an American painting. The sale coincided with an upswing in the popularity and acclaim accorded to American landscape painting, catalyzing the market for American art and contributing to a revival in the prestige of Church and the Hudson River School. Drawing on extensive interviews with many of the people involved with the painting’s rediscovery, sale, and eventual donation to the Dallas Museum of Art, the author considers the way marketing has defined The Icebergs.
Print publication date October 2002 (in print)
Print ISBN 9780300095364
EISBN 9780300256727
Illustrations 52
Print Status in print