Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Index
Alice T. Friedman
Description: Women and the Making of the Modern House: A Social and Architectural History
Women and the Making of the Modern House: A Social and Architectural History
Index
Author
Alice T. Friedman
PublisherYale University Press
Copyright© 2006 Alice T. Friedman
https://doi.org/10.37862/aaeportal.00177.011
Stable URL: https://aaeportal.com/?id=-15110
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
Index
A
Aalto, Alvar, Villa Mairea, 28–29
Addams, Jane, 15
Ain, Gregory, 169
Alex, Joe, 26
Allen, Elizabeth S., 55
American society: family life defined in, 132, 141, 216
feminist reform in, 16–17, 37, 38–39, 59, 215–16
home as force for change in, 11, 34, 200
marriage in, 17, 132
men’s roles in, 29, 130–31, 132, 148–49, 151, 156
popular culture of, 155–56, 168, 169, 192, 194, 206–8
and residence design, 15, 141, 142, 171, 200, 228
values and power relations in, 29, 130–33, 141, 142, 150, 151–52
women’s roles in, 11, 15–17, 28, 29, 59–60, 87, 96, 129, 132, 141, 151, 156, 206, 215, 221, 229
architects: vs. clients, 59–60, 129–30, 134, 138, 140–41, 156, 161
clients’ trust in, 29, 176–77, 203, 228
and gender politics, 42, 129, 133, 147–52, 154–56
middle-class clients of, 162, 168
opposition to ideas of, 11
“ownership” of projects by, 10, 129, 141
role changes of, 198, 199
single male clients of, 29, 130–31, 156
wealthy patrons sought by, 128–29, 134
women clients of, 15–16, 17–18, 24, 28, 42, 59, 88, 128, 129–30, 142, 161, 162, 176, 183–84, 203–4
Architectural Forum, 141, 166
Architectural Review, 130, 149, 150
architecture: American forms of, 51, 60
avant-garde, 24
Beaux-Arts tradition, 209
behavior patterns changed by, 69–70, 77–78, 128, 143–44
commercial, 190, 191, 197
competitions in, 169, 171
as environment, 80–81, 83, 85, 174, 184, 221, 229
form and function in, 18, 35, 60, 68–69, 79, 82, 144, 197, 199–201, 228
gender and sexuality as influences on, 9, 11, 17–18, 129, 130–31, 133, 138–39, 143, 147–52, 154–56, 207
history’s role in, 208–9
hybrid domestic forms in, 18, 29, 74, 81, 202
ideal forms in, 110, 139
implications for future of, 228–29
as influenced by site, 34–35, 42, 51, 74, 115, 173, 181, 184, 217
interior vs. exterior space in, 83, 200–202, 209
International Style, 24, 130, 141, 156, 161, 166, 169
language of form in, 138, 141, 155, 191, 197, 199, 200, 202
lifestyle space provided by, 17, 29, 68, 69, 77, 80–81, 95–98, 129–30, 144, 155–56, 184, 229
Mannerist, 197
minimalist, 127, 133, 134, 141, 143–44
modern, 24, 80, 88, 98, 104, 106, 116, 128, 141, 147, 191, 194, 199, 204, 209, 211
New England vernacular, 155
and occupant’s experience, 128, 143–44, 147, 163, 197–98, 200
philosophical principles in, 138, 199–200, 206
Postmodern movement, 189, 191, 197, 204–8
pueblo, 51, 52
relationships of scale in, 18, 87, 192
sequential experience of, 115–16, 155, 217
and sexual orientation, 19, 148–52, 154–56
and social change, 88, 95, 200, 206–7
Southern California Modern, 169, 171
as space-making, 87, 96, 200
symmetry vs. irregularity in, 112, 116, 209
theater, 34–35, 51, 53–57
and urban planning, 200, 206, 207
vernacular, 155, 190, 191, 197, 210
wall’s functions in, 200, 209
art: abstract, 103
and aesthetic environment, 168, 184
Constance Perkins’s collection, 163
cubism, 107
Dadaist, 206
Deco, 110
European dominance in, 168
Pop, 190
Purist, 110, 112
Stein collections, 93, 94, 98, 100, 101, 107
Art in Our Time (MOMA), 166
Arts & Architecture, 161, 168–70, 171–72
Austin, Mary Hunter, 34–35, 36
B
Babuscio, Jack, 152
Bailey House, Santa Monica, 171–72, 172
Baker, Josephine, 24, 26, 27–28, 27
Barnsdall, Aline, 9, 10, 17, 33–44, 33, 34, 48, 50–60
daughter of, 41, 42, 55
death of, 60
gifts to community from, 55–60
and Hollywood Bowl, 55, 57
house for, see Hollyhock House
and Olive Hill, 41–42, 55, 58–60
political activism of, 39, 42, 58, 60
theater interests of, 33, 34–35, 37–41, 43, 50–52, 55, 57, 60
and Wright, 9, 10, 33–35, 40, 41–42, 55, 57–60
Barnsdall, Betty “Sugar Top,” 42, 57
Barnsdall, Theodore, 37, 37, 40, 41
Barnsdall Park, 60
Barr, Jr., Alfred H., 166
Barry, Joseph A., 141, 143
Barthes, Roland, 206
Beard House, Altadena, Calif., 166
Bel Geddes, Norman, 33, 37–38, 40, 41, 54, 55, 57
Bendien, Jacob, 71
Berenson, Bernard, 100
Bergren, Ann, 217
Bergren House, Venice, Calif., 214, 217, 218, 219, 220, 221
Bertoia, Harry, 168
Bissel, Arthur, 38
Bock, Richard, sculpture by, 12, 13
Bois, Yve-Alain, 82
Bouillon, Jo, 27, 28
Browne, Maurice, 38
Bruce, Patrick Henry, 98, 99
Brumbaugh, Edmund, 202
Burrowes, Marcus R., Cranbrook Greek Theatre, 53, 54
C
Cadman, Charles Wakefield, 40
Calder, Alexander, 168, 181
Callas, Barbara, 225
Callery, Mary, 155
camp, appreciation of, 152
and architecture, 130, 155–56
focus of, 152, 155–56
humor and mannerisms of, 150, 151
Casa Malaparte, Capri, 29
Case Study House Program, 169–70, 171–72
Cézanne, Paul, 93, 100
Channel Heights project, 170
Chauncey, George, 151
Cheney, Mamah Borthwick, 11, 60
Cheney, Sheldon, 49, 52, 53, 54
Christian Science, 96, 100, 101, 102–4, 106, 111, 122
Chu, Annie, 225
Citroen, Paul, 71
Complexity and Contradiction in Architecture (Venturi), 189–90, 199–201, 207–8
Cone, Etta and Claribel, 94, 98, 107, 117, 119
Cook, William and Jeanne, 111, 116
Coonley, Queene Ferry, 11
Coonley House, Riverside, Ill., 28
Craig, Gordon, 38
Cranbrook Greek Theatre, Bloomfield Hills, Mich., 53, 54
Creighton, Katherine, 183, 184
Crépin, Lucien, 115
Curtis, William, 112
D
Dana, Edwin, 15
Dana, Susan Lawrence, 11, 12, 15, 18
Dana House, Springfield, Ill., 8, 11–12, 11, 12, 13, 14, 15, 24
Davidson, J. R., 171
De architectura (Vitruvius), 53, 54
de Monzie, Anatole, 106, 110
de Monzie, Gabrielle, 18, 93, 106, 119
and Christian Science, 96, 103, 106, 111, 122
and Le Corbusier, 106–7, 110–11
and Stein family, 96, 98, 106–7, 110–11
and Villa Stein–de Monzie, 96, 97, 116, 117, 122
de Monzie, Jacqueline, 106
Derrida, Jacques, 206
design: abstract, 85, 177, 210
and color, 83, 84, 85
complexity of, 189, 199, 200, 201
and order, 200
planar forms in, 87
process of, 149, 163
and psychology, 173
rational approach to, 138
De Stijl movement, 71, 73, 82–85, 103–4
De werkende vrouw, 85, 87
domesticity: architects’ interpretations of, 155–56, 202, 225
and complex lifestyles, 68, 95, 97–98, 119, 130
and gender, 143, 148
hearth in, 50, 152, 155
redefinition of, 16, 130–31, 156, 217, 227
and sexual orientation, 148, 156
social role of, 15, 28, 29, 132, 141–43
Drager, Sharon, 225
Drager House, Berkeley, Calif., 222, 223, 224, 225–29
Drexler, Arthur, 154
Duchamp-Villon, Raymond, 110
Duse, Eleanora, 37–38, 52
E
Eames, Charles, 168, 169, 170, 171
Eames, Ray, 168, 170
Eddy, Mary Baker, 102, 103, 104, 110
Ehrman, Therese, 94
Eisenman, Peter, 150–51, 206
Ellwood, Craig, 168
Entenza, John, 161, 168–69
Example of Coloristic Composition in an Interior (van Doesburg), 82, 83
F
Farnsworth, Edith, 127; house for, see Farnsworth House
and media, 140–41, 142, 147
memoirs of, 131, 133, 142, 154
and Mies, 131, 133–34, 140–42, 147
social role for, 132, 151
Farnsworth House, Plano, Ill., 24, 29, 126, 127–30, 131–47, 131, 136, 145, 146
critical reaction to, 129, 133, 140–41
Glass House compared with, 130–31, 147, 154–56
interior of, 137, 144, 145, 147, 154
plans of, 135
and privacy, 130, 138–43, 144, 147, 154, 155, 184
sale of, 147
significance of, 129, 138, 147
site for, 132, 133, 138
Flower in the Crannied Wall (Bock), 12, 13
Foucault, Michel, 206
Frampton, Kenneth, 155
Freud, Sigmund, 100
Friedman, Hilde Reiss, 170
Fuller, R. Buckminster, 170
furnishings: antique, 24, 119, 120, 191, 194, 211
as connection to the past, 24, 143, 191, 202
and modernism, 24, 140, 141, 143, 147, 156
and occupants’ experience, 147
G
Galerie de l’Effort Moderne, Paris, 83
Gans, Herbert, 191
“gay space,” 130, 147–56; see also homosexuality
Gehry, Frank, 206
Gerstenberg, Alice, 38
Giedion, Siegfried, 172, 173
Glass House/Guest House, New Canaan, Conn., 29, 146, 147–56, 148, 157
critical appraisal of, 149–51, 155
Farnsworth House compared with, 130–31, 147, 154–56
as “gay space,” 130, 147–56
interiors of, 147, 155, 157
metaphor of, 150–51, 152, 155
plan for, 154
and privacy, 152, 154, 155
remodeling of, 155, 156
site of, 152, 153
Goetsch, Alma, 11, 20
Goetsch-Winkler House, Okemos, Mich., 18, 20, 23
Goldman, Emma, 37, 38–39, 40, 42
Gordon, Elizabeth, 140–41
Graves, Michael, 204, 206
Gray, Eileen, Tempe a Pailla, 24, 25
Greek temples, 112
Greek theater, 49, 53, 54, 60
Gropius, Walter, 194
Guardini, Romano, 134
Guild House, Philadelphia, 197, 207
H
Hamilton, Richard, collage, 205, 206
Hammond, Natalie, 18
Harrenstein-Schräder, An, 70, 71, 71
home of, 85, 86, 87
Harrington, Michael, 207
Hayden, Dolores, 15
Hearst, William Randolph, 29
Hearst Greek Theatre, Berkeley, 49
Heiberg, Jean, 98, 99
Hitchcock, Henry-Russell, 166
Hollyhock House, Los Angeles, 11, 32, 33–63, 36
architects working on, 53
as art park, 41–42, 41, 60
as community center, 18, 28, 33, 34, 50–52, 55, 58, 60
and Community Playhouse, 53
courtyard of, 43–44, 44, 48, 49
interior of, 44, 45, 46, 47
and Little Dipper School, 53, 55, 57, 57
as memorial, 24, 58
and Olive Hill, 35, 36, 37, 41–42, 41, 48, 50, 51–52, 55, 58–60
plans and sources for, 43–45, 43, 48, 49, 50–51, 50, 52–53
theater complex of, 34, 35, 48, 50–53, 55, 56, 57, 60
Hollywood Bowl, Los Angeles, 55, 57
home: expanded definition of, 17–18
as force for social change, 11, 34, 200
livability of, 130, 141, 143, 147, 156
privacy of, 130, 138–43, 144, 147, 152, 155, 156, 184, 191, 200
as representation of activities and values of occupants, 17–18, 24, 28, 51, 68, 74, 77, 79, 111, 162–63, 191, 197, 200, 211, 225, 228–29
single-family, see single-family homes
for single individual, 24, 128, 141, 162–63, 184
women’s roles in, 11, 15–17, 28, 29, 59–60, 87, 129, 132, 221
homosexuality: and architecture, 148–52, 154–56
and cultural identity, 29, 151–52
and domesticity, 148, 155, 156
metaphors of, 150–51, 155; see also camp
public attitudes toward, 29, 131, 150, 151
House and Garden, 141
House Beautiful, 24, 140–43
household, redefinition of, 18, 24, 88, 95, 97–98, 106, 107
housing: architecture of, 16, 29, 53, 80, 84, 98, 139, 141, 171–72, 200–204
Case Study Program, 169–70, 171–72
collective, 216
domestic space redefined in, 17–18, 68, 74, 77, 88, 95–98, 139, 199, 200–202, 221
for the elderly, 207
functions of, 111, 155, 197, 202
fundamental elements of, 192
of glass, 126, 127–59
group, 216
low-cost, 162, 171
as machine for living, 119, 155
mass-produced, 110, 111
middle-class, 16, 162, 168
postwar, 171
prefabricated, 170
public vs. private space in, 17–18, 28, 98, 130, 138–43, 147, 184, 191, 200, 228
Howard, John Galen, Hearst Greek Theatre, 49
Hubbe House, Magdeburg, Germany, 138, 139
Hughes, Thomas and Agatha, 204
Huszár, Vilmos, 82, 83, 84, 85
I
Independent Group, 191, 206
International Style, 24, 130, 141, 156, 161, 166, 169
Israel, Franklin D., Drager House, 222, 223, 224, 225–29
J
Jacobs, Jane, 207
Jaques-Dalcroze, Emile, 55
Jeanneret, Charles-Edouard, see Le Corbusier
John Nicholas Brown House, Fisher’s Island, N.Y., 168
Johnson, Philip: Glass House/Guest House, 29, 130–31, 146, 147–56, 157
homosexuality of, 130, 148, 151, 152, 154–56
influence of, 130
and International Style, 166
personality of, 149–50
Wiley House, 156
writings of, 150, 152
Joseph, Robert, 170
K
Kahn, Louis, 194, 200, 208–9
Key, Ellen, 87
Kingsbury, Edith, 24
Kipnis, Jeffrey, 147
Klaarhamer, P. J. C., 82
L
landscape: gardens, 74, 115
and privacy, 138–39, 140, 147, 155, 184
reflection of, 163, 165, 172, 181, 183; see also site
L’Architecture vivante, 82, 83, 96, 118, 121
La Roche, Raoul, 29, 107, 110
La Roche-Jeanneret House, Auteuil, France, 29, 111
Lautner, John, Zimmerman House, 29
Lawrence, Rheuna D., 15
Le Corbusier: and Baker, 28
Cook residence, 111, 116
and de Monzie, 106–7, 110–11
early projects of, 202
ideal modern man of, 104
influence of, 221
La Roche-Jeanneret House, 29, 111
Lipchitz-Miestchaninoff studios, 111
Maison Citrohan, 110
single-family homes designed by, 15, 110
and Stein family, 94, 98, 106
Villa Savoye, 97, 127
Villa Stein–de Monzie, 18, 92, 94–98, 106–7, 143
writings of, 104, 110–11, 112, 119
Léger, Fernand, 107
Leonardo da Vinci, 204
lesbianism, and architecture, 18, 19
and cultural identity, 17, 151–52, 215
Les Milandes, 27, 27, 28
L’Esprit nouveau, 110
Les Terrasses, see Villa Stein–de Monzie
Levine, Neil, 209–10
Levy, Harriet, 93, 100, 103, 104, 105
Libera, Adalberto, 29
Little Theatre, Chicago, 33, 38, 39
Little Theatre, Los Angeles, 40–41
Lohan, Dirk, 128
Loos, Adolf, Josephine Baker House, 24, 26, 27
Lovell, Leah and Philip, 165–66
Lovell Health House, Los Angeles, 161, 162, 165, 166, 168
Low House, Bristol, R.I., 192
M
McAndrew, John, 166
McKim, Mead, and White, 192
Malaparte, Curzio, 29
Margaret Esherick House, Chestnut Hill, Pa., 209, 209
Matisse, Henri, 98, 99, 110, 111
and Stein family, 93, 94, 98, 99, 100, 102, 103, 104, 117
Stein portraits by, 107, 108, 109
Matter, Herbert, 170
May, Ernst, Frankfurt Kitchen, 87
Mayan temples, 51
Mayne, Thom, 217
men: gay, see homosexuality
and gender politics, 42, 59–60, 130, 148, 150–52
social pressures on, 29, 130–31, 132, 148–49, 151, 156
Metz & Co., furniture makers, 88
Michelangelo, 201, 208
Mies van der Rohe, Ludwig: Berlin Building Exposition, 138
and Farnsworth, 131, 133–34, 140–42, 147
Farnsworth House, 24, 126, 127–30, 131–47, 131, 154–55, 184
furniture designed by, 140, 143, 147, 156, 194
Gericke House, 138
German Pavilion, Barcelona World’s Fair, 129, 133
Hubbe House, 138, 139
influence of, 130, 147, 149, 221
Johnson apartment remodeled by, 130
“Less is more,” 127, 133, 134, 141, 190
Nolde House, 138
reputation of, 129, 130, 131
Resor House, 138
single-family homes designed by, 15, 129, 138
and social change, 200
Tugendhat House, 129, 133, 143–44
Millard, Alice, 9–10, 17, 18
Millard House (La Miniatura), Pasadena, 9–10, 20, 11, 18
Miller, Grace Lewis, 176
Miller House and Studio, Palm Springs, Calif., 166, 167
Miró, Joan, 181
Mock, Elizabeth, 166
Mondrian, Piet, 82
art of, 65, 66
Montale, Eugenio, 133
Mooney, Tom, 39
Moore, Charles, 204, 206
Moretti, Luigi, 208
Morgan, Julia, San Simeon, 29
Morley, Grace McCann, 161
Morphosis, 217, 221
Bergren House, 214, 217, 218, 219, 220, 221
Motherwell, Robert, 168
Museum of Modern Art, New York, 133, 148
Farnsworth House model in, 130, 134, 135, 149
and International Style, 130, 166
N
Nesbitt House, Brentwood, Calif., 166
Neumeyer, Fritz, 138
Neutra, Dion (son), 179, 181
Neutra, Dione (wife), 165
Neutra, Richard: background and career, 165–68, 169, 171
Bailey House, 171–72, 172
Case Study House Program, 169–70, 171–72
Channel Heights project, 170
death of, 162
John Nicholas Brown House, 168
Lovell Health House, 161, 162, 165, 166, 168
Miller House and Studio, 166, 167
and Perkins, 161, 162, 165, 172, 173, 176, 181
Perkins House, 24, 160, 161–69, 173–74, 176–84, 185
reputation of, 161, 165, 166, 168, 172
Rush City Reformed project, 161
Tremaine House, 172
Von Sternberg House, 168
writings of, 173–74
Norberg-Schulz, Christian, 139
O
Olive Hill, see Hollyhock House
Open-Air Theatre, The (Cheney), 49, 52, 54
Ordynski, Richard, 40, 41
Owens, Craig, 210
Ozenfant, Amédèe, 107, 110
P
Paiste, Phineas, 202
Palladio, Villa Malcontenta, 112, 208
Paris: Académie Matisse, 98, 99
Exposition des Arts Décoratifs, 110, 111
Salon d’Automne, 98, 110
Stein salons, 93, 94, 98, 99–100, 99, 104
Parsons, Anne, 132
Parsons, Talcott, 132
Perkins, Constance, 17–18, 161, 184
autobiography, 174–76
death of, 184
house for, see Perkins House
and Neutra, 161, 162, 165, 172, 173, 176, 181
Perkins House, Pasadena, 24, 160, 161–87
budget for, 173, 177, 181
collaboration on, 173–77
critical response to, 183
drawings and plans for, 179, 181, 181, 182
exterior of, 180, 183, 183, 184, 185
financing of, 165, 181
interior of, 165, 177, 178, 179, 180, 183, 184, 185
living/work spaces in, 18, 163, 176, 177, 178, 185
reflecting pool, 164, 165, 179, 180, 181
site for, 173
Picasso, Pablo, 93, 100, 170
Pichel, Irving, 33, 40
Pollock, Jackson, 168
Postmodern architecture, 189, 191, 197, 204–8
Power, Ethel, 18, 19, 20
pueblo architecture, 51, 52
R
Rapson, Ralph, 171
Raymond, Eleanor: Natalie Hammond Compound, 18
townhouse renovated by, 18, 19, 20
Raymond, Rachel, 19
Raymond-Kingsbury House, Belmont, Mass., 18, 20, 21, 24
Reinhardt, Max, 38
Resor House, Jackson Hole, 138
Rex, John, 169
Rietveld, Gerrit, 69
and De Stijl, 82–85
furnishings designed by, 66, 68, 69, 79, 80, 82, 83, 85
Haarlem project, 88
Harrenstein House, 85, 86, 87
private study designed by, 71, 73, 73
and Truus Schröder, 66, 69–70, 73, 74, 85–88
Schröder House, 64, 65–70, 73–76, 78–85, 88
writings of, 83, 84, 85
Roman Theatre (Vitruvius), 53, 54
Rotondi, Michael, 217
Rowe, Colin, 112
Rush City Reformed project, 161
S
Saarinen, Eero, 171
Salinger, Sylvia, 104, 105
San Simeon, San Luis Obispo, 29
Scheyer, Galka, 176
Schindler, Rudolph M., 18, 22, 53, 165, 166, 226
Schröder, Frits, 70–71, 72, 76
Schröder, Truus, 17, 65, 71, 72, 79
background, 70–73
children of, 66, 70–71, 72, 74, 76, 77, 79
Haarlem apartments, 88
Harrenstein House, 85, 86
house for, see Schröder House
private study of, 71, 73
and Rietveld, 66, 69–70, 73, 74, 85–88
Schröder House, Utrecht, 64, 65–91, 75, 76
children’s space in, 18, 28, 66, 67, 68, 74, 77, 79
critical success of, 85
effects on residents of, 69–70, 77–78
garden, 74
interior of, 18, 74, 77–78, 77, 79, 80–81, 81
plans for, 78, 80
Schrödinger, Erwin, 154–55
Schütte-Lihotsky, Grete, Frankfurt Kitchen, 87
Schwitters, Kurt, 71
Scott Brown, Denise, 190, 191, 203–4, 206–7
Scully, Vincent, 191, 204, 211
sexual orientation, see homosexuality
lesbianism single-family homes: as community centers, 15, 18, 35, 51, 52–53
designed for women, 15–16, 18, 176, 183–84, 216, 217
innovative designs of, 15–16, 66, 68, 176
living/work spaces in, 17–18, 163, 165, 176, 177, 217, 229
postwar, 169
power hierarchies in, 16, 29
public vs. private space in, 17–18, 130, 138–43, 177, 184, 229
and social roles, 132, 216
unconventional lifestyles in, 129–31, 163
unconventional space arrangements in, 17–18, 66–69, 67, 74, 76, 141
Wright’s study of, 11, 33–34
site: influence of, 34–35, 42, 51, 74, 115, 173, 181, 184, 217
local landscape, 163, 165, 172
Smith, Kathryn, 41
Smithson, Peter and Alison, 206
Soane, John, 155
Soriano, Raphael, 168
Spatial Color Composition for an Exhibition (Rietveld and Huszár), 83, 84, 85
Spaulding, Sumner, 169, 171
Spigel, Lynn, 142
Stein, Allan, 93, 94, 104, 105, 107
Stein, Daniel (father), 101
Stein, Danny (grandson), 117, 119
Stein, Gertrude, 93, 94, 94, 98–104
Stein, Leo, 93, 94, 98–104, 105
Stein, Michael, 93, 94, 98–100, 105
as banker and advisor, 96, 100, 101, 107, 110
death of, 106, 122
as Le Corbusier’s ideal modern man, 104, 116
Matisse’s portrait of, 107, 109
on modern architecture, 116
Stein, Michael and Sarah, 18
in California, 102, 119, 122
collections of, 24, 94, 98, 101, 122
and de Monzie, 96, 98, 106–7, 110–11
marriage of, 101
in Paris, 93, 94, 98, 99–100, 104
and Villa Stein–de Monzie, 95–96, 97, 116–17
Stein, Sarah “Sally,” 93, 94, 98–100, 105
and Académie Matisse, 98, 99
and Christian Science, 96, 100, 101, 102–4, 106, 111
death of, 106, 122
Matisse’s portrait of, 107, 108
portrait painted by, 106
salons of, 99–100, 101
Stein family, 93–122, 94
art collections of, 93, 98, 100, 107
closeness of, 96, 100, 102
on health and fitness, 100, 101–2, 104
and Le Corbusier, 94, 98, 106
salons of, 93, 94, 98, 99–100, 99, 104
and Villa Stein–de Monzie, 94–98, 111–22
and World War 1, 106–7
Sullivan, Louis, 165
Survival Through Design (Neutra), 173–74
T
Taut, Bruno, 71
Tempe a Pailla, Castellar, France, 24, 25
Theatre Arts, 52, 53, 55
Toklas, Alice B., 94, 100, 103, 104
Toorop, Charley, 71
Tremaine House, Santa Barbara, 172
Trumbo, Dalton, 170
Tugendhat, Grete, 143
Tugendhat House, Brno, Czech Republic, 129, 133, 143–44
U
Une Maison – Un Palais (Le Corbusier), 119
V
van Doesburg, Theo, 71, 82, 83, 85
van Eesteren, Cornelis, 82, 83
Vanna Venturi House, Chestnut Hill, Pa., 188, 189–213
architectural imagery of, 192, 198, 199–202, 206, 209–10
caregiver’s space in, 18, 191, 203, 204
connection to the past in, 24, 191, 199, 202, 210–11
critical reviews of, 209–10, 211
exterior of, 190, 194, 197, 200, 210
interior of, 193, 194, 195, 196, 200, 201, 201, 210–11
overscaled elements in, 192
plans and drawings for, 191, 191, 192
site of, 203
Van Patten, Elizabeth, residence of, 18, 22, 226
van’t Hoff, Robert, 82
van Volkenburg, Ellen, 38
Venturi, Robert: birth and childhood of, 202–3
career of, 208–9
Guild House, 197, 207
and history, 208–9, 211
marriage of, 191, 204
mixing of styles and materials by, 194, 197, 200, 202
and Postmodernism, 206–8
Rome Prize won by, 208
Vanna Venturi House, 188, 189–213
Visiting Nurses Association project, 197
writings of, 189–90, 199–201, 207–8
Venturi, Robert, Sr., 202, 203
Venturi, Vanna, 189, 190, 202–4; see also Vanna Venturi House
Villa Mairea, Noormarkku, Finland, 28–29
Villa Malcontenta, Gambarare di Mira, Italy, 112, 208
Villa Savoye, Poissy, France, 97, 127
Villa Stein–de Monzie, Garches, France, 2–3, 29, 92, 95, 96, 111–22
critical success of, 119
de Monzie and, 96, 97, 116, 117, 122
exterior of, 2–3, 97, 115, 116, 117, 118
furnishings of, 119, 120, 121, 143
household accommodated in, 18, 111, 117
interior of, 115–16, 120, 121, 122
and Le Corbusier, 18, 94–98, 106–7, 111, 143
plan of, 6, 97, 111–12, 113, 114, 115
sale of, 119, 122
site of, 115, 115
Stein family and, 94–98, 111–22
Vitruvius: ideal man, 204
Roman Theatre, 53, 54
Von Sternberg House, Northridge, Calif., 168
Voor de Kunst, 82
W
Ward, James, 96
What Is It That Makes Today’s Homes So Different, So Appealing? (Hamilton), 205, 206
Whitney, David, 147
Wils, Jan, 82
Winkler, Kathrine, 11, 20
women: activism of, 16–17, 37, 38–39, 170
as creative collaborators, 29, 81, 85–88, 162–63, 173, 181, 183–84, 217, 227, 228
De werkende vrouw, 85, 87
and feminism, 16–17, 37, 38–39, 59, 60, 85, 87–88, 191, 207, 215–16, 225
and gender politics, 17, 42, 58, 59–60, 129, 133, 143, 151–52, 215
homes designed and built by, 18, 19, 20, 20, 21, 24, 216
households headed by, 15, 17–18, 20, 28, 74, 88, 106, 131–34, 203, 215–16, 217, 225
independence of, 16, 17, 28, 151, 162–63, 173
jobs for, 132, 215
lesbian households of, 17, 18, 19, 151–52, 215
and marriage, 17, 71, 132, 163
power and influence of, 16–17, 60, 130, 215–16
and privacy, 138–43, 144, 147, 177, 184, 191, 225
roles in society for, 11, 15–17, 28, 29, 59–60, 87, 88, 96, 129, 132, 141, 151, 156, 206, 221, 229
unconventional lifestyles of, 16, 17–18, 20, 24, 28, 42, 50, 60, 81, 130, 151, 163, 198–99
urban pursuits of, 16, 17, 50, 132
Woolf, Virginia, 229
Wright, Catherine, 60
Wright, Frank Lloyd, 9–15, 172
autobiography, 9, 10–11, 35, 42, 50–51
and Barnsdall, 9, 10, 33–35, 40, 41–42,-55, 57–60
Barnsdall Theater, 55, 56, 57, 60
Coonley House, 28
Dana House, 11–12, 15, 24
Fallingwater, 127
Goetsch-Winkler House, 18, 20, 23
Hollyhock House, 11, 32, 33–35, 36, 41–53
influence of, 82, 152
Millard House, 9–10, 11
and Neutra, 165
Prairie houses, 194
residence of, 192
and single-family homes, 11, 33–34, 177
and theater architecture, 51, 53–57
and women, 9–11, 42, 59–60
Wright, Gwendolyn, 15
Wright, Lloyd, 53, 57
Wurster, William, 171
Y
Yates, Peter, 170
Z
Zimmerman House, Studio City, Calif., 29
Zuñi Pueblo, 51, 52